When April bends above me
And finds me fast asleep
Dust need not keep the secret
A live heart died to keep.
When April tells the thrushes,
The meadow-larks will know,
And pipe the three words lightly
To all the winds that blow.
Above his roof the swallows,
In notes like far-blown rain,
Will tell the little sparrow
Beside his window-pane.
O sparrow, little sparrow,
When I am fast asleep,
Then tell my love the secret
That I have died to keep.
Leaving and Leaving You
Sophie Hannah
When I leave you postcode and your commuting station,
When I left undone all the things we planned to do
You may feel you have been left by association
But there is leaving and leaving you.
When I leave your town and the club that you belong to,
When I leave without much warning or much regret,
Remember, there's doing wrong and there's doing wrong to
You, which I'll never do and I haven't yet,
And when I have gone, remember that in weighing
Everything up, from love to a cheaper rent,
You were all the reasons I thought of staying,
And none of the reasons why I went
And although I leave your sight and I leave your setting,
And our separation is soon to be a fact,
Though you stand beside what I'm leaving and forgetting,
I'm not leaving you, not if motive makes the act.
Alan Dugan Telling Me I Have A Problem With Time
Nick Flynn
He reads my latest attempt at a poem
and is silent for a long time, until it feels
like that night we waited for Apollo,
my mother wandering in and out of her bedroom, asking,
Haven't they landed yet? At last
Dugan throws it on the table and says,
This reads like a cheap detective novel
and I've got nothing to say about it. It sits,
naked and white, with everyone's eyes
running over it. The week before
he'd said I had a problem with time,
that in my poems everything
kept happening at once. In 1969,
the voice of Mission Control
told a man named Buzz
that there was a bunch of guys turning blue
down here on Earth, and now I can understand
it was with anticipation, not sickness. Next,
Dugan says, Let's move on. The attempted poem
was about butterflies and my recurring desire
to return to a place I've never been.
It was inspired by reading this
in a National Geographic: monarchs
stream northward from winter roosts in Mexico ,
laying their eggs atop milkweed
to foster new generations along the way.
With the old monarchs gone (I took this line as the title)
and all ties to the past ostensibly cut
the unimaginable happens--butterflies
that have never been to that plateau in Mexico
roost there the next winter. . . .I saw this
as a metaphor for a childhood I never had,
until Dugan pointed out
that metaphor has been dead for a hundred years.
A woman, new to the workshop, leans
behind his back and whispers, I like it,
but the silence is seamless, as deep
as outer space. That night in 1969
I could turn my head from the television and see
the moon
filling the one pane over the bed completely
as we waited for Neil Armstrong
to leave his footprints all over it.
The House JanettPlummer
The house was beautiful it was
big, wide and wondrous.
Grand ceilings festooned with ornate roses
Diaphanous curtains billowing gracefully around tall windows.
And the husband who never married me
did not come to fix the pipe that leaked water over the patio,
while it gushed harder than the wet drops cascading over my cheeks,
until a man borrowed from a friend and his spanner screwed
the waterworks shut till floor and cheek were dry.
The grand roof let out heat by the kilowatt when poinsettia littered the garden
and forced warmth into humid August nights.
The doors did not let in all manner of infidel
the windows let light shimmy in faithfully.
The babies I strained to carry which never arrived,
did not swing on the triple swing.
Two seats remain new as new
I shopped in antique store alone,
paying for oak tables with banknotes redder than my fury.
The curtains still waft, graceful, lonesome.
One winter, I left the house alone.
Price: Rs. 0
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